A Perfect Pair: A Panton Phantom Chair and Vintage Murano!

In honor of yesterday’s design influence Verner Panton, we decided to choose a rather colorful combination for today’s perfect pair. Known for his gutsy and bold color palette choices, you might not immediately think about pairing the two colors we’ve chosen today, but know that just about any two colors can make a pretty dynamic pairing when on the right pieces.


Verner Panton’s Phantom Chair is a study in confusion. According to Panton, "sitting should be funny—like playing—an experience". And so he designed his Phantom chair (also known under the name Lupoflex) as more of an experience than just a static piece of furniture. This piece of furniture can be used as a chair, a 2-seater, a bench and a table. It’s also an important piece because it is his last piece of furniture before his death in 1998. Made from blow molded plastic, this chair (or table, bench, whatever) is also made in a vibrant, crimson orange-red color, making it bold and sculptural!



These Swank Lighting Barovier & Toso Two Piece Murano Lamps in Canary Yellow are the absolute definition of elegance. Tall and with an interesting, stacked body shape, the lamps themselves also become sculptural statements. The color is a gorgeous creamy yellow with a subtle oval polka dot pattern. Though a bright yellow, their softer hue makes them a more delicate counterpart to the bright crimson of the Phantom Chair.

Together, the Barovier and Toso Murano Lamps and the Panton Phantom Chair make a sunny combination of color and shape. The fact that they both possess such arresting colors and outlines makes them a dynamic and powerful combination, and would look amazing in a modern or minimalist interior where not many other colors are present. A pair like these two would be a scene-stealing combination, so it would be best to place them in a space where they can be the spotlight.
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The Colorful and Psychedelic Designs of Verner Panton!

If you love 1960’s style design and are a big fan of color, then you’ll definitely want to check out today’s designer influence: Verner Panton. Considered by many to be one of Denmark's most important interior and furniture designers of the 20th-century, Panton’s use of shape and color not only summed up an entire generation of design, it continues to wow design enthusiasts today.




You probably are familiar with Panton’s work in terms of bright colors and distinctive chairs. His most famous furniture works were the Cone Chair (1958), the Peacock Chair, The Panton Chair of 1960 and the S Chair, but you may also recognize his other popular pieces like the Bachelor Chair, Trumpet Chair, Heart Cone Chair, Relaxer Chair, and his confusing Phantom Chair/Table.




As mentioned, Panton was also a huge proponent of color, often times blending hues in dizzying palettes. While his furniture was available in an array of bright and bold colors, it was in his experimental interior environments that his talent with colors was most evident, often crafting futuristic spaces with the uses of color and undulating wall, floor and furniture elements. He was also known for his lighting pieces (which also featured bold, bright, “1960s” styled elements) and his fabric ideas. He was often lauded for his innovative use of plastic materials in his work, also adding to the futuristic-feel of his projects.




Panton started his design training in the field of architectural engineering in the city Odense, Denmark, then moved on to study architecture at the Royal Danish Academy of Art Copenhagen. He worked under Arne Jacobsen right after college from 1950-1952, but quickly moved on to opening his own office soon after. Along with impressive interior, lighting, furniture and color design work, he also wowed experts and audiences alike with his incredible architectural ideas, like a collapsible house, the Cardboard House and the Plastic House. It was the year 1960 that saw Panton creating the most important design of his career, the world’s first single-form injection-molded plastic chair, The “Stacking chair” or “S chair”, which is still produced by companies like Vitra today.


The last years of his career saw his most work in interior environments, notably a German boat interior that is now a museum. Though it would be hard to imagine anyone actually living in any of his psychedelic interiors, it did pave the way for encouraging brighter and bolder ideas in home designs. Popular in the 1950s-1970s, Panton’s work had a resurgence in popularity in the early 2000s, and has taken its place alongside other design luminaries in the popular use of Mid-Century Modern style seen in homes and commercial spaces today.
Photos taken from 1stdibs.
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